TJ Norris, mastermind behind Toneshift, savor the results of Grisha Shakhnes’ confrontation of internal & external sound worlds – a free yet controlled array of muffled loops pervaded with the mystery of the quotidian…
Posted in Uncategorized, tagged avant-garde, being there, experimental, field recordings, grisha shakhnes, musique concrete, tape music, U61 review, Unfathomless on March 29, 2020|
Posted in Uncategorized, tagged avant-garde, being there, experimental, field recordings, grisha shakhnes, musique concrete, tape music, U61 review, Unfathomless on March 22, 2020|
Relayed concise close aural observation from another sharp listener, Brian Olewnick in his Just Outside blog about “being there“, testifying of an impactful pervasive collage of sound…
Posted in Uncategorized, tagged avant-garde, being there, experimental, field recordings, grisha shakhnes, musique concrete, tape music, U61 review, Unfathomless on March 19, 2020|
Posted in Uncategorized, tagged avant-garde, being there, experimental, field recordings, grisha shakhnes, musique concrete, tape music, U61 review, Unfathomless on November 3, 2019|