In a short teaser-like mini-review, Julien Héraud assesses Moyens Fantômes as a peculiar, confrontational and engrossing experience, where old media acquire a new life…
Posted in Uncategorized, tagged Bruno Duplant, David Velez, experimental, field recordings, Moyens Fantômes, musique concrete, U32 review on August 29, 2016|
In a short teaser-like mini-review, Julien Héraud assesses Moyens Fantômes as a peculiar, confrontational and engrossing experience, where old media acquire a new life…
Posted in Uncategorized, tagged artificial memory trace, experimental, field recordings, hypnotikon (australOpus 2), U32 review on June 7, 2016|
In a brief french only review, Pierre Cécile for Le Son Du Grisli online mag points out hypnotikon (australOpus 2) as an opener of worlds…
Posted in Uncategorized, tagged Bruno Duplant, David Velez, experimental, field recordings, Moyens Fantômes, musique concrete, U32 review on May 24, 2016|
For the ever prolific A Closer Listen, Richard Allen goes into U33’s layers of old transmissions and technology to exalt the “now”…
Posted in Uncategorized, tagged artificial memory trace, experimental, field recordings, hypnotikon (australOpus 2), U32 review on May 24, 2016|
Richard Allen sees hypnotikon (australOpus 2) like a key to a door, an access to the beating heart of the explored location…
Posted in Uncategorized, tagged Bruno Duplant, David Velez, experimental, field recordings, Moyens Fantômes, musique concrete, U32 review on April 11, 2016|
Frans de Waard sees Moyens Fantômes as a daring step into unknown interzones, an industrial ode to a disappearing era…
Posted in Uncategorized, tagged artificial memory trace, experimental, field recordings, hypnotikon (australOpus 2), U32 review on April 6, 2016|
Frans de Waard situates hypnotikon (australOpus 2) in artificial memory trace’s evolving matrix of sounds, insisting on its potential
along focused listening…