U66 | philip sulidae | Vandemonian Verplaatsing
1. Fifty Seven to Sixty Three Macquarie Street_excerpt
3. End of Old Farm Road_excerpt
format : CD ltd to 200 hand numbered copies/Digital
Regular edition of 170 copies packaged in clear vinyl sleeve with folded insert + an additional art card both on 350gr satin paper
Special edition of 30 copies packaged in black mass-tinted cardboard digisleeve with frame.
it holds a set of 2 double-sided art cards with a different artwork from the regular edition on 350gr satin paper.
+ a set of 3 square photos on Fujicolor Crystal Archive Paper Supreme.
Inner sleeve features a strip of paper
it’ll be inkjet printed with edition number + artist’s name and title.
release year : 2020
length : 37’32
tracks : 1. Fifty Seven to Sixty Three Macquarie Street
2. Fourteen Evans Street
3. End of Old Farm Road
4. Thirteen Elphinstone Road
5. Twenty Carriage Drive
status : OUT NOW !
>>> order via Paypal : chalkdc@unfathomless.net
Regular edition
(Belgium) : 13 € (inc.postage)
(Europe) : 14 € (inc.postage)
(World) : 15 € (inc.postage)
Special ultra ltd edition
(Belgium) : 16 € (inc.postage)
(Europe) : 17 € (inc.postage)
(World) : 18 € (inc.postage)
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Bundle offer till the end of January only (U66 regular edition + either U19 “History of Violence” or U48 “Ramshead” – pls precise which one you want when ordering !)
(Belgium) : 23 € (inc.postage)
(Europe) : 24 € (inc.postage)
(World) : 25 € (inc.postage)
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full philip sulidae bundle offer till the end of January only (U66 regular edition + U19 “History of Violence” + U48 “Ramshead”)
(Belgium) : 33 € (inc.postage)
(Europe) : 34 € (inc.postage)
(World) : 35 € (inc.postage)
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: info :
These are field recordings collected from varying places, times and locations in Hobart. I’ve been working with sound for over ten years and in that time, I have become more intrigued by the actual notion of recording itself. Recording a temporal event, place, thing; recording time itself. Recordings, mediated through various microphones, speakers and so on, somehow still convey something of that event regardless of the displacement of time and location that has occurred.
Perhaps this is a simultaneity formed through the listener’s context. Times and locations that are simultaneously within reach, yet always once removed. These recordings exploit this tension between what we know of a place and what we imagine. Every time we listen, a displacement of time occurs again and again.
(Philip Sulidae, 21 December 2020)
